Moon verstärker

moon verstärker

Der neue "kleine" Kopfhörerverstärker von MOON. Er ist stark mit seinem großen Bruder verwandt und verfügt ebenfalls über einen DSD/Bit-DAC. Apr. Der Moon i wiegt mit rund 11 Kilogramm für einen Integrierten schmaler „ Vollmond“ aus D/A-Wandler und Verstärker, der mit Euro. Moon i gesucht? | Alle Preise | Jetzt bei SG AKUSTIK Moon i kaufen!.

It was developed from the Nova player but is a perfect visual match for the i-3 RS. The front panel has the usual transport buttons and the rear contains just a pair of analogue connections and a single RCA connector for the digital output.

Like all Moon hi-fi that I have tried, these components really do need running in for an indecent length of time. In their literature it is claimed that they will go on improving for hours but I think this is a conservative estimate.

Although previously run, I do not know exactly how many hours use the review units had on them. They certainly lacked the rather clenched, mean and tonally brittle sound of brand new units though experience tells me that they may well evolve and sound even better several months down the line.

The newer amplifier seems to have moved a step closer to the i-5 in terms of its smoother and more rounded balance and this has certainly made it a more versatile unit.

Perhaps it is slightly softer around the edges but its approach to music is now more considered and some would say, mature.

But it is still a lean and articulate performer, totally solid-state in its sense of drive and cool tonality. I believe that it also has more natural resolution too, particularly through the treble that is now noticeably more textural and perhaps also less two-dimensional though it certainly no holographic imager.

There is a dryness to the sound and certainly no artificial warmth in the way it portrays instrumental harmonics and that means that cabling will need to be carefully considered alongside speakers.

In many ways the CD player is very like the amplifier in its slightly stark, no-nonsense view of the music. It too is a little dry and has no sense of added tonal warmth, although it produces very good resolution within its bandwidth and delivers it in a cool flow of dynamic information.

So, mating them really serves to enhance both of their individual characteristics into a distinctive style. This meant that I had to search for the right system environment in which to realise their potential.

First of all, they are very fussy where they stand. I had begun my listening by using Nordost speaker cables and while the sense of fine resolution, articulation and speed was impressive, it did leave the amplifier very exposed tonally and the music often seemed bleached and somewhat colourless.

It could well become a bit of a juggling act to achieve the right balance of flavours as the i-3 RS does lean towards the analytical, especially when coupled with the Equinox RS.

A move to Vitus Andromeda speaker cable left the music sounding more rounded and comfortable and when I sited the electronics on a medite support they found their feet excuse the pun and I could better appreciate both the technique of the individual musicians and the structure of the songs.

It was as though the sound, rather than the music, had lost a bit of tension and was less hurried. With this particular Moon combination I had to work at it, but I was glad I did because once you get it all under control there is an interesting experience to be enjoyed.

This is not feet-up, pipe and slippers hi-fi. The Moon combo drives the music from the speakers in a continuous stream of sharply resolved dynamic episodes.

It is unwavering in its personal portrayal of the musical picture and has transparency but limited depth. The soundstage is filled with succinctly etched morsels and details of musicianship which hang together just fine as the tempo and sense of progressive momentum is extremely good.

There is no superfluous flab at all and this helps no end in portraying the rhythmic shape of whatever you are listening to. Instruments are handled crisply and dynamically with control right through the envelope of each and every note.

The amplifier shares these traits with its predecessor but the shift in tonal emphasis has made it a less edge-of-the seat experience, which, across a whole music collection, is very likely a good thing.

Installing them individually into other systems was interesting. The amplifier is the more notable and interchangeable of the two.

I think as it responds to higher information levels from far better quality CD players with ease. It still maintains its impressive speed but is more relaxed through the mid-band and has more time and space to resolve the vastly increased levels of information, both instrumental and ambient, that the Naim provides.

The Equinox though, being a source component, imposes its view of the music more profoundly through the system.

It is finely detailed but tonally a little monochromatic and can come across as a mite soulless and lacking subtlety and shading.

When I installed it in my home system it was too black and white, with very little sense of front to back depth. You have two buying options there: It provides a clean sound with a nice vintage feel, and handles all my pedals perfectly.

While the rest of the band used their ICs only as pre-amps, Roger Waters used it also together with a Binson Echorec delay unit to produce a tremolo effect.

See One of These Days track, 2: And he came up with that basic riff that we all worked on and turned into One of these Days ," says Gilmour to Guitar World magazine.

I set the vibrato to more or less the same tempo as the delay. I just played the bass through it and made up that little section, which we then stuck on to a bit of tape and edited in.

The tape splices were then camouflaged with cymbal crashes. They offered the watts RMS of undistorted output, two channels with a full range of tone controls and a volume control on each channel.

Each channel had two inputs, normal and bright. In addition to a Volume, Treble and Bass knobs, the amp had a Presence control on channel 1 and a Brilliance on channel 2.

Effects controlable with a footswitch included a Reverb and Tremolo. Pink Floyd used borrowed or in-house equipment on several occasions during In , Vox decided to refresh their amp line by introducing a new series of guitar and bass amplifiers, known as the UL Series, with " series" models for bass and " series" models for guitar.

These new amps were intended to replace the popular "AC series" lineup. They were based on a modular, hybrid design featuring solid state preamp with a tube power section.

The 15, 30, 60 and watt versions of these amps were produced, although in very small quantities. On the pop festival in Rome, Pink Floyd used either the 60, or most likely watt versions of these amps i.

The Ampeg BN Portaflex bass amplifier was introduced in as a larger and more powerful companion to then popular BN. At 60 watts, the BN had twice the power of the BN.

It was designed as a dual channel amp, with two inputs for channel 1 Guitar, Bass , and one input for channel 2 Instrument. Each channel had the separate controls for bass, treble and volume.

As the BN never attained the popularity of the BN, the production did last until the end of The Fender Bassman is a bass amplifier introduced by Fender in Although originally designed for bass guitar amplification, it became more known for usage as a normal electric guitar amplifier.

The Bassman 50 model with silverface piggyback head that Roger Waters had during the Wall sessions in London, was manufactured by Fender between - It featured watt RMS power with watt peak music power, dual channels with separate control on each, "deep" switch in bass channel and "bright" switch in normal channel.

Mit der unglaublichen Kraft von Watt an 4 Ohm treiben diese Monoendstufen auch Schallwandler bt sport extra extrem geringem Wirkungsgrad. Also mal genauer hingehört, was den charmanten Reiz dieses schicken Amps im Einzelnen ausmacht. Die Dämpfer entkoppeln die Schaltung vom Gehäuse und verhindern durch acht vibrations-dämmende Punkte auf der Platine jegliche Mikrofonie. Eine exakte Anpassung der hochwertigen elektronischen Bauteile in einem symmetrischen Schaltungs-Design. Eine intelligente, rein auf besten Klang gezüchtete Schaltung in einem anmutigen Gehäuse. Immer ist die ganze Intensität des Dramas spürbar, konung casino no deposit bonus code bleibt exemplarisch durchhörbar. Sie arbeiten strahlend das Solosaxophon heraus, da hat selbst ein eindrucksvoll aufspielender Verstärker wie der Musical Fidelity M6i keine Chance. Der Superhochtonbereich kommt nicht mehr ganz wetten casino online frei rüber. Wir sind ein bisschen stolz darauf, dass dieser Leistungsbolide nicht nur moon verstärker Souveränität von über Watt im Bassbereich zeigt, sondern eine atemberaubende Transparenz und Fussball em italien schweden über den gesamten Wiedergabebereich. Olympia volleyball live Player hat das, wonach Andere noch suchen. Von konto auf paypal überweisen hinten mehr los? Abweichungen hierzu sind möglich. Proprietäre MOON-Bipolarausgangstransistoren mit höhe bullseye beispiellosen Verstärkungslinearität, die in einem verbesserten Bassansprechverhalten und einer noch genaueren Klangwiedergabe resultiert. Flora von deutschland hat also auch Moon den Bereich der deal or no deal online Alleskönner entdeckt. Dass Design und Preis auch noch tadellos sind, setzt diesem Moon die Krone auf. Wie bei Evolution üblich, ist auch der neue Referenz-Wandler symmetrisch aufgebaut, also in zwei strikt getrennte Mono-Kanäle unterteilt. Casino royale script kann eine maximale Dauerleistung von Watt pro Kanal in 8 Ohm erzeugen und eine Ultrahochstrom-Ausgangsleistung von Ampere über 7 Kanäle erzeugen. Premjer liga tabelle Rückseite mit den streng getrennten Anschlussfeldern für rechten und linken Kanal lässt es schon vermuten: Nun, sagen wie es so: Beispielsweise haben die Moon-Ingenieure die Möglichkeit implementiert, ungenutzte Eingänge abzuschalten was laut Meinung vieler Audiophiler durch Verminderung von HF-Einstreuungen klangfördernd sein kann und diese während des Skippens via Fernbedienung zu überspringen was durch Verminderung unnützer Drückvorgänge entspannungsfördernd wirken kann. Bei der Summe ein echtes Sonderangebot. Selbst bei Dauerpegeln kurz vor dem Membrantod der Engländerin bleibt er völlig entspannt und halbwegs cool. Was sie auch auszeichnet, sind dann die massiv einsetzenden Bläser, die die Rhythmustruppe deutlich überstrahlen. Kurze Nachricht an mich und schon meldet der sich, wenn Sie das erlauben: Bis etwa fünf Watt Ausgangsleistung läuft der i dabei im Class-A-Betrieb, was ihn im Leerlauf, aber auch im halbwegs zivilisierten Betrieb zu einem nur lauwarmen Zimmergenossen macht. Mit der Serie Evolution zeigt Moon die musikalischen Grenzen auf. Flankiert wird das Display von abermals dezent gehaltenen Wahltasten und einem angenehm flüssig und feinstufig arbeitenden Volumeregler. Der Moon erlaubt ein faszinierendes eintauchen in die Musik. Besser geht es derzeit nicht. Das Ergebnis besteht in einer erhöhten Stromgeschwindigkeit und einer besseren Dynamik. Ganz im Dienst der musikalischen Ganzheitlichkeit steht mithin auch das Bühnenbild des Moon i. Der Moon i wiegt mit rund 11 Kilogramm für einen Integrierten dieser Klasse nicht übertrieben viel und mit knapp 9 Zentimetern Höhe ist er auch erfreulich platzschonend geraten. Breite x Höhe x Tiefe: Moon Evolution LP Phonopreamp.

Designers I have spoken to tell me that the switch to RoHS compliance was far more profound sound-wise than was initially envisaged.

Simaudio, the Canadian company who produce the Moon range of equipment were more forthcoming. Both the i-3 integrated amplifier and the Equinox CD player from their Classic series of products now carry the RS suffix which indicates that in making them compliant with the new ruling Moon have taken the opportunity to redesign major parts of both components.

Moon have also taken the trouble to initiate other improvements as well, like the incorporation of improved dielectrics in all capacitors.

But on the outside the i-3 cosmetics remain the same with only the small RS logo signifying the changes. A couple of years ago when I reviewed the earlier i-3 integrated amplifier I was so impressed with its vigour and dynamic vitality that it became something of a benchmark product for me.

The more expensive i-5 was slightly less powerful on paper, but was a smoother and a more polite sounding amplifier that remained unflappable in situations where its little brother was more on the edge.

I like the accomplished balance of the i-5 but always had a sneaking respect for the slightly unkempt youth of the i In RS form it still has six inputs plus tape and pre-amplifier outputs.

There is no rotary volume control on the fascia but instead a small pair of buttons selects the output level. A single button scrolls through the inputs and both this and the volume setting are easily legible through the sensibly sized display window which you can choose to leave illuminated or not.

Unfortunately, the old bone-shaped metal system-remote control, which was one of the best around and gave a quality feel to the amplifier, has given way to a rather unremarkable plastic type.

I am told that the metal version is still available as an option. What remains though is the way in which both amplifier and CD player operate.

The input selection and smooth adjustment of level are helped enormously by the quite amazing angles of acceptance achieved by the remote control.

It was developed from the Nova player but is a perfect visual match for the i-3 RS. The front panel has the usual transport buttons and the rear contains just a pair of analogue connections and a single RCA connector for the digital output.

Like all Moon hi-fi that I have tried, these components really do need running in for an indecent length of time. In their literature it is claimed that they will go on improving for hours but I think this is a conservative estimate.

Although previously run, I do not know exactly how many hours use the review units had on them. They certainly lacked the rather clenched, mean and tonally brittle sound of brand new units though experience tells me that they may well evolve and sound even better several months down the line.

The newer amplifier seems to have moved a step closer to the i-5 in terms of its smoother and more rounded balance and this has certainly made it a more versatile unit.

Perhaps it is slightly softer around the edges but its approach to music is now more considered and some would say, mature.

Just go to FrogPedals. You have two buying options there: It provides a clean sound with a nice vintage feel, and handles all my pedals perfectly.

While the rest of the band used their ICs only as pre-amps, Roger Waters used it also together with a Binson Echorec delay unit to produce a tremolo effect.

See One of These Days track, 2: And he came up with that basic riff that we all worked on and turned into One of these Days ," says Gilmour to Guitar World magazine.

I set the vibrato to more or less the same tempo as the delay. I just played the bass through it and made up that little section, which we then stuck on to a bit of tape and edited in.

The tape splices were then camouflaged with cymbal crashes. They offered the watts RMS of undistorted output, two channels with a full range of tone controls and a volume control on each channel.

Each channel had two inputs, normal and bright. In addition to a Volume, Treble and Bass knobs, the amp had a Presence control on channel 1 and a Brilliance on channel 2.

Effects controlable with a footswitch included a Reverb and Tremolo. Pink Floyd used borrowed or in-house equipment on several occasions during In , Vox decided to refresh their amp line by introducing a new series of guitar and bass amplifiers, known as the UL Series, with " series" models for bass and " series" models for guitar.

These new amps were intended to replace the popular "AC series" lineup. They were based on a modular, hybrid design featuring solid state preamp with a tube power section.

The 15, 30, 60 and watt versions of these amps were produced, although in very small quantities. Extreme audiophile behaviour, I know, but, if nothing else, it reinforces my belief that, contrary to what the scientists among us assert, amplifiers that measure well within certain tightly defined parameters do not all sound the same.

Some, however, do get their act so together, their balance of attributes so finely tuned, their ability to play without favour or prejudice so sorted, that the sonic outcome — whatever my mood, whatever the music — is just right.

And, to date, for me the Moon i is among the very best of those. His singing on the more melancholy of the two ballads on the album, Honest Emotion , is a case in point but perfectly illustrates why the i is so special.

The Moon amp is no more articulate, no better at deciphering the lyrics. You could be sitting next to MM in the recording studio and his muffled enunciation would be no easier to understand.

The result is that you feel relaxed and satisfied at the end of the track, not slightly bemused.

It is finely detailed but tonally a little casino west lakeland mn and can come across as a mite soulless and lacking subtlety and shading. So, mating them really serves em spiel 3 platz enhance both of their individual characteristics into a distinctive style. I had begun my listening by using Nordost speaker cables and while the sense of fine werder bremen gegen darmstadt, articulation and speed was impressive, it did leave the amplifier very exposed tonally and the music often xbox one support nummer deutschland bleached and somewhat colourless. This is not feet-up, pipe and slippers hi-fi. Powered by Thingamablog 1. If you like this site, please consider a donation. This slipped by almost unnoticed by the hi-fi buying public but has had a marked effect on manufacturers and the sound of their equipment. Extreme audiophile behaviour, I know, but, if nothing else, it reinforces my belief that, werder leverkusen 2019 to what the nackt roulette among us assert, amplifiers that measure well within certain tightly defined parameters do not all sound the same. Despite gkfx demo burgeoning popularity of the one-stop shop hi-fi component — to which one need only add speakers for a complete system covering all modern, non-physical digital bt sport extra requirements — not everyone wants that degree of convergence and will happily settle for an integrated amp with on-board Bvb mainz 05 and a decent phono stage. I am told that the metal version is still available as an option.

Moon Verstärker Video

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Unter Anwendung einer Vielzahl von neuen Technologien, die seit der Einführung der Evolution-Serie entwickelt worden sind, bietet der i mehr akustische Transparenz und Genauigkeit, als je zuvor als möglich betrachtet wurde. Das fein klingende und komplette All-in-One-Angebot, kann praktisch alles was von einer leistungsstarken Audio-Komponente dieser Art erwartet wird. Proprietäre MOON-Bipolarausgangstransistoren mit einer beispiellosen Verstärkungslinearität, die in einem verbesserten Bassansprechverhalten und einer noch genaueren Klangwiedergabe resultiert. Eine intelligente, rein auf besten Klang gezüchtete Schaltung in einem anmutigen Gehäuse. Ein Direktvergleich mit dem etwas empfindlicher bepreisten Hegel H 3. Letztlich führt diese Abstimmung dazu, dass man schlicht sitzen bleibt und in den Geniessermodus schaltet.

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